Great Cinema is made in each industry. Because Hindi language is spoken on bigger scale Hindi motion picture has bigger reach. I can see a few answers expressing DDLJ, Sholay were all much talked abroad yet none of the south film is recorded.
Generalizations are in each industry. Bollywood still has that DDLJ sort of screenplay even today. South motion pictures particularly Telugu and Tamil motion pictures have business story lines where legends does a wide range of repulsive force things.
For me Bollywood film resembles having a fine feast in a café. I can't do that regular. However, alright now and again. Motion pictures like Hicchki, 3 Idiots, Bhaag Milkha Bhaag, Airlift, Hyder, Chak De India and so forth (These rung a bell while composing this) are those sort of films which made me feel that we have entertainers and chiefs in Bollywood who make motion pictures worth viewing. However, I should acknowledge poop is the word I should use for greater part of Bollywood films. They're exhausting. I never had that interface with story the vast majority of the occasions while watching motion picture on screen.
South films are progressively substance driven. Truly, saints and chiefs detest material science laws, yes silly melody and battle groupings occur at the same time, the story keeps you drew in ( Not with each motion picture yet the number is certainly more than Hindi films for me).
The individuals who feel south motion pictures are simply Chennai motion pictures given me a chance to let you know there are four distinct businesses and every industry has it's very own style and flavor.
Kannada industry, certainly the most happening industry is the one which I've been acquainted with as of late. With new age film creators the business is developing with some incredible stuff. For all who think Hindi motion pictures are phenomenal go watch Uturn, Lucia, Operation Alamelamma, Kirik party, Rangi Tarangi. These films will make you think the other way.
Malayalam industry is misjudged yet the quality in their subjects unquestionably outperforms different ventures. They are so straightforward, so genuine, so contacting that you'll have an aftereffect. Drishyam is a subject which can be thought by a Malayalam motion picture creator as it were. Premam, Bangalore Days, Ustad Hotel, Thondimuthalum Dtiksakshiyum, Kammati paadam, Angamaly Diaries are not many models. I'm too youthful to even consider discussing about the more seasoned greats like kaalapaani, manichitrathazhu.
Tamil industry resembles a shopping complex. It has everything. It's the main business in India which can make totally crude subjects like Visaranai, Vadachennai, Kaadhal and center business film with no sense like the majority of Vijay and Ajith motion pictures. The magnificence of this industry is that individuals acknowledge different types. They can acknowledge a story without star cast and furthermore acknowledge motion picture with star cast without story. In any case, let me disclose to you films especially with crude and practical methodology are great in Tamil. Go watch the ongoing movies like Pariyerum Perumal, Ratsaasan, Vadachennai you'll acknowledge my comment.
At long last Telugu industry. Films which I totally appreciate viewing since Telugu is my local language. Our industry is turning out from run of the mill style as of late. Telugu individuals don't acknowledge the change all of a sudden. We need our legend to be a hotshot. He should win, he should govern, he ought to do everything. This was the scene somewhere in the range of 10 years back where preferences of Chiranjeevi, Balakrishna were there. Presently a days our industry began focusing on ideas instead of equation. Indeed still we need our legends to smash villians yet that idea is restricted to top alliance stars who appreciate enormous fan base. Youthful age is tolerating the change and breaking the Stereotypes. Karthikeya, ArjunReddy, C/O Kancherapalem are not many instances of present day film in Telugu. Huge stars like Ram Charan additionally cleared route for breaking customary way with film like Rangasthalam.
My own questions on Bollywood.
Will it ever envision a subject like Magadheera?
Can it ever create a film which has Baahubali extend?
Could it at any point concoct an in fact splendid motion picture like Robo?
Will it ever make a film which has a holding screenplay like Vikram Veda?
Will it ever shock me with a film like Lucia?
Can it ever make me dismal with a motion picture like mayaanadhi?
Could it ever characterize the word strong (Not with motion pictures like detest story) with a motion picture like Arjun Reddy?
At long last every industry thinks of good motion pictures. Be that as it may, starting at now South motion pictures are doing extremely incredible as far as substance and interface. Possibly in light of the fact that there's no KARAN JOHAR here.